Archiwalna

FEAR

The intent behind the exhibition Fear is to analyse the title phenomenon, omnipresent locally, regionally and globally today. It would seem that progress of science and technological development ought to enable an improved sense of safety, a capacity to assess risk and threats, and overall efficiency in handling them. Why then do we increasingly often refer to a so-called “culture of fear”? Why has fear become an inseverable part of our daily life, holding sway over social  imagination?

21.08.2020 – 18.10.2020
Arsenal Gallery power station, Białystok
Ara Petrosyan, „Untitled”, 2008, print, dimensions variabl
photo Maciej Zaniewski
Kote Jincharadze, „Silence Is a Sign of Consent”, 1996–2020, performance documentation
photo Maciej Zaniewski
Paweł Żukowski, Nigdy w życiu nie baliśmy się tak bardzo, z cyklu „Kartony”, 2019, farba akrylowa na kartonie z odzysku, 147 x 85 cm Paweł Żukowski, Never Have We Been This Frightened, from the ‘Cartons’ cycle, 2019, acrylic paint on recycled cardboard, 147 x 85 cm
photo Maciej Zaniewski
Paweł Żukowski, Never Have We Been This Frightened, from the ‘Cartons’ cycle, 2019, acrylic paint on recycled cardboard, 147 x 85 cm
photo Maciej Zaniewski
„Fear” exhibition, Arsenal Gallery power station in Bialystok, Poland; Yevgenia Belorusets, The Visit, 2017, 16 photographs, dimensions variable; Marina Naprushkina, Your Fear is Our Equity. Your Hatred is our Mandate, 2020 from the “Red Moabit” series, c-print, canvas, acrylic;
photo Maciej Zaniewski
„Fear” exhibition, Arsenal Gallery power station in Bialystok, Poland
photo Maciej Zaniewski
Guram Tsibakhashvili, Autobiography Before Birth series, 1987-1992, photo, canvas, anilinę, dimensions variable; Mirosław Bałka, Die Hand/Der Kopf/1943, 2020, audio file, 12’14’’
photo Maciej Zaniewski
„Fear” exhibition, Arsenal Gallery power station in Bialystok, Poland
photo Maciej Zaniewski
„Fear” exhibition, Arsenal Gallery power station in Bialystok, Poland
photo Maciej Zaniewski
Nikita Kadan, Pogrom, 2016-2017, 4 drawings from the series, 158 x 118 cm; 158 x 109 cm; 158 x 128; 158 x 128 cm, charcoal, wash, paper
photo Maciej Zaniewski
Dana Kosmina, Huts – Housing Complex, 2018, installation; Alina Kleytman, The Story About the Old Fat Girl. Chapter Five: Notes About Dumb, Angry Bull, 2019, video, 4’40’’
photo Maciej Zaniewski
Dana Kosmina, Huts – Housing Complex, 2018, installation; Alina Kleytman, The Story About the Old Fat Girl. Chapter Five: Notes About Dumb, Angry Bull, 2019, video, 4’40’’
photo Maciej Zaniewski
Rafał Bujnowski, Masks, 2020, 11 drawings, oil on paper, each 23 × 26 cm
photo Maciej Zaniewski
Aleksei Kazantsev, Relaxing Chamber, 2 of 6 photographs from the “Relaxing Chamber” series, photographs, archival inkjet pigment printed on Oris Newsproof 80g paper
photo Maciej Zaniewski
Sergey Shabohin, Pyramid of Alienation, 2020, neon, glossary
photo Maciej Zaniewski
Sergey Shabohin, Pyramid of Alienation, 2020, neon, glossary
photo Maciej Zaniewski
AntiGonna, Endless Sory of Diseases. Kyiv Porn Horrors, part 1 SBOYKA., 2018-2020, 13 videos
photo Maciej Zaniewski
Alesia Zhitkevich, There are Beaches where it is Difficult to Hear Voices because of Silence, two-channel audio installation, 3′ 54”, c-print, armchair
photo Maciej Zaniewski
Alesia Zhitkevich, There are Beaches where it is Difficult to Hear Voices because of Silence, two-channel audio installation, 3′ 54”, c-print, armchair
photo Maciej Zaniewski
Hubert Czerepok, Nation Doing Their Thing, 2013, neon, 75 cm x 520 cm
photo Maciej Zaniewski
Hubert Czerepok, Nation Doing Their Thing, 2013, neon, 75 cm x 520 cm
photo Maciej Zaniewski
„Fear” exhibition, Arsenal Gallery power station in Bialystok, Poland; [from left: Agnieszka Polska, Ask the Sirene, 2017, video, 10’24”, A.R.Ch (Mikhail Syenkov), drawing from the “Black Icons” / “Canine Wedding” series, Whatman paper, mixed technique: pencil, watercolour, wounds, blood]
photo Maciej Zaniewski
„Fear” exhibition, Arsenal Gallery power station in Bialystok, Poland; [from left: Zhanna Kadyrova, Shots, 2010-2014, 7 objects, auteur technique (three white and two black floor tiles 60 x 60 cm, two black tondi, diameter: 60 cm), Agnieszka Polska, Ask the Sirene, 2017, video, 10’24”, Anna Daučíková,… To Be or not to Be, Do They Want It, 2020, HD video, 1’04”]
photo Maciej Zaniewski
Zhanna Kadyrova, Shots, 2010-2014, 7 objects, auteur technique (three white and two black floor tiles 60 x 60 cm, two black tondi, diameter: 60 cm)
photo Maciej Zaniewski
A.R.Ch (Mikhail Syenkov), drawing from the “Black Icons” / “Canine Wedding” series, Whatman paper, mixed technique: pencil, watercolour, wounds, blood
photo Maciej Zaniewski
A.R.Ch (Mikhail Syenkov), drawing from the “Black Icons” / “Canine Wedding” series, Whatman paper, mixed technique: pencil, watercolour, wounds, blood
photo Maciej Zaniewski
Zhanna Gladko, The Strings, from the “Insiting Force” cycle, 2015-2019, three-channel video, 44’09’’
photo Maciej Zaniewski

While theoretical and real threats occasionally converge, sometimes they drift apart. Every so often they are distant rather than direct – yet i.a. the media impact may make them seem familiar. How do they influence the actual content of fear, its form, extent of radicality, and manner of expressing it? Does fear have a paralysing effect, or spur us into action? Are potential reactions to fear emotional or rational?
 
Mental predispositions, gender, age, social class, education and upbringing, religion and faith, as well as individual experience and social norms may all be of paramount importance to what we are afraid of and/or how we react to fear. What other factors and processes influence the presence of and reactions to fear? Should we consider attempts at assessing contemporary reality essential – or should importance be attached to the perception, appraisal, or prognoses concerning the future?
 
The climate of anxiety, uncertainty, danger, the air of threat, sense of the unexpected or unpredictable, moral equivocality, atmosphere of distrust, exaggerated reactions, panic – what and who impacts the language and or symbols of the “culture of fear”? Does the omnipresence of fear in common public debate serve to tame the issue, build its awareness, normalise the language and symbols required for its interpretation – or does it make fear commonplace, clichéd, and prevalent? Or is possibly the reverse true: does the omnipresence of fear result in its escalation?
 
Control, regulation, management, faith in human agency, the value system – what impacts the level of fear and ways we handle it?
 
More and more frequently, fear determines our individual and collective experience. On the one hand, the phenomenon is global in nature. On the other, it would be worth our while to approach it through the prism of regional specifics and given geographical and cultural context. Is the form of fear impacted by historical-and-cultural conditioning? Can the structure of fear be in any way associated with the development of a new world order following the downfall of communism in Eastern Europe and in view of the condition of so-called post-communist countries? Is that structure thus governed by local/ global logic? Are there any fearless individuals out there? Is fear political? The exhibition seeks responses to such questions in a field highly sensitive to our reality – in the field of art.
 
Translated by Aleksandra Sobczak-Kövesi

EVENTS ACCOMPANYING THE “FEAR” EXHIBITION

August 14th–16th  (Friday till Sunday), 04:00 till 08:00 p.m.
“Time Free from Hell”, staged sensory work developed as part of an art scholarship programme sponsored by the Mayor of the City of Białystok
Event corresponding with the exhibition “Fear”

Directed by: Kasia Hertz; written by: Olga Cielemęcka, Kasia Hertz; performers: Ewa Hubar, Justyna Kisielewska, Weronika Lewandowska, Natasza Topor, Anastazja Bernad, Magdalena Siemaszko; producer co-operation: Jan Szewczyk; executive film producer: Mikołaj Syguda; sound producer: Monika Pich

Free entry

August 21st 2020 (Friday), 06:00 p.m.
Opening of the “Fear” exhibition
Free entry

EXHIBITION AND ACCOMPANYING PROGRAMME delivered as part of the RISE OF EASTERN CULTURE/ ANOTHER DIMENSION FESTIVAL 2020

August 22nd 2020 (Saturday), 11:00 a.m.
Open discussion accompanying the “Fear” exhibition, preceded with a brief guided tour
Meeting participants: professor Michał Bilewicz, Magdalena Budziszewska, Ph.D., professor Przemysław Czapliński, professor Andrzej W. Nowak, selected artists participating in the exhibition, curator team.
Moderated by: Bogna Świątkowska

Free entry
Meeting held as part of the “Image Reading Room” cycle
EXHIBITION AND ACCOMPANYING PROGRAMME delivered as part of the RISE OF EASTERN CULTURE/ ANOTHER DIMENSION FESTIVAL 2020

September 3rd 2020 (Thursday), 06:00 p.m.
Meeting with Edwin Bendyk, with a focus on the book “In Poland, that is to Say: Nowhere. On the Downfall and Future of the World(W Polsce, czyli wszędzie. Rzecz o upadku i przyszłości świata)
Moderated by: Katarzyna Sawicka-Mierzyńska
Free entry
Meeting held as part of the “City – Space – Community” cycle

September 5th 2020 (Saturday), 03:00 p.m.
Guided tour of the “Fear” exhibition in the Polish Sign Language, combined with workshop session
Moderated by: Daniel Kotowski
Free entry
Mandatory signup for the event; please e-mail j.bietkal@galeria-arsenal.pl.

September 26th 2020 (Saturday), 01:00 p.m.
Guided tour of the “Fear” exhibition in Belarussian
Guided by: Alina Wawrzeniuk
Free entry

October 1st-18th 2020
SEPPO workshops accompanying the “Fear” exhibition
Moderated by: Katarzyna Kida, Justyna Kołodko-Bietkał, Małgorzata Kopciewska, Aleksander Sakowicz, Eliza Urwanowicz-Rojecka, Justyna Zieniuk
Free entry
Mandatory signup for the event; please e-mail e.urwanowicz@galeria-arsenal.pl.

Curators: Nikita Kadan, Sergey Shabohin, Monika Szewczyk, Eliza Urwanowicz-Rojecka, Natalia Vatsadze
AntiGonna, A.R.Ch., Mirosław Bałka, Yevgenia Belorusets, Rafał Bujnowski, Hubert Czerepok, Anna Daučíková, Zhanna Gladko, Kote Jincharadze, Nikita Kadan, Zhanna Kadyrova, Aleksei Kazantsev, Alina Kleytman, Dana Kosmina, Tamar Nadiradze, Marina Naprushkina, Ara Petrosyan, Agnieszka Polska, Vlada Ralko, Guia Rigvava, Sergey Shabohin, Guram Tsibakhashvili, Alesia Zhitkevich, Natalia Vatsadze & Ekaterine Ketsbaia, Paweł Żukowski
Galeria Arsenal

PLAN YOUR VISIT

Opening times:
Thuesday – Sunday
10:00-18:00

Last admission
to exhibition is at:
17.30

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